It’s been quite a while since I did a recording/music blog. But check this out. I’ve had this track setting on my Maxtor outboard drive for a few months. It’s a pop rock arrangement that was done to test my then-new microphone setup. Here are the techniques I used:

- Recorded two acoustic guitar tracks with XY close condensers. One pointed at the neck, the other at the bridge. One acoustic has a capo so it has that mandolin-ish sound.

- Recorded the drums on stereo track with four mics: XY overhead, inside kick, and close snare (AKG D88).

- Added software-generated keyboard pad.

- Added electric guitar and bass guitar tracks, direct to the mixer.

- Minimal compression on everything except the drums (hence the cymbals sound a little “dark”).

- A little reverb on the master track.

Tell me what you think after you have a listen.

I just saw the movie Flight 93 and I it was the most devestating thing I think I’ve ever watched in a film. I just can’t imagine what the people onboard that flight went through in reality and I hope so much that the man that orchestrated it is found and dealt with, soon.  God Bless the victims and their familes.

I am listening to a microtonal piano music performance right now, via the Microtonal Podcast Blog.  What IS microtonal piano, you ask?  Well, take a regularly tuned piano and then retune each key using the “in-between” pitches not normally employed in most popular piano music.  The result can be aurally flustering but also downright gorgeous, depending on the ability of your ear to hear the intervals used in a standard-tuning-predisposed manner. You may have to listen for a while before it stops sounding “out of tune”. Listen for yourself.  Thanks to Prent Rodgers, who commented the other day and shared the link to his site–he’s the one performing the pieces in the podcast, if I’m not mistaken.

Check out this eBay auction for a vintage Chamberlin analog tape sample keyboard, manufactured in the early 1960s. These antiques pre-date the most famous of analog tape-looper sample-players, the magnanimous Mellotron.  As of this moment, this Chamberlin model 300 is close to two grand–that’s five hundred bucks per octave. Some of the sounds included are marimba, violin, and guitar. This particular one even appears to have a yellowing set list (or may it’s a sheet of song lyrics) taped onto the console. Cool stuff. Something tells me these Chamberlins don’t have a MIDI interface, though. Check it out here.

From a Korg press release:

Korg presents the lightweight, 61-key X50 synthesizer. It delivers high-quality sounds, a user friendly interface and computer connectivity, all in a streamlined package designed for performing and computer-based musicians.

The X50 features Korg’s HI (Hyper Integrated) synthesis technology as found in the acclaimed TRITON series. Its 64 MB of PCM ROM offers a wide array of sounds, including a velocity-switched stereo piano, strings, guitar and synth timbres. The internal memory offers 512 Programs, 384 Combinations (each consisting of up to eight Programs) and 40 user (16 preloaded) drum kits — plus an additional 128 GM programs and nine drum kits.

Two master effects, a stereo 3-band master EQ and one stereo insert effect are available, using 89 different effect types. Effects parameters can be modulated in real time, with many effects that can sync to MIDI clock.

For live performance and songwriting, the X50 offers dual polyphonic arpeggiators that feature easy-to-use, one-touch functionality. In addition to five basic preset arpeggio patterns, the X50 also provides 251 patterns covering everything from simple riffs to complex polyphonic phrases and drum grooves. For expressive control over the sounds, effects and arp patterns the X50 offers a variety of real-time controllers — two switches, four knobs, plus pitch bend and mod wheels (all assignable).

An intuitive Korg interface makes sound selection quick and easy. Sounds are organized into 16 categories, and users can select the desired Programs and Combinations via a dedicated Category key. A convenient Audition button allows the user to preview Programs using a selection of musically appropriate riffs. Korg’s proprietary ClickPoint cursor system and a backlit LCD display further enhance navigation functions.

The X50 also offers integral USB MIDI functionality, for easy connection to computer-based systems. A powerful Multi Mode allows the X50 to be played from an external sequencer as a 16-part multi-timbral sound module. The included stand alone/plug-in editor software makes it easy to create and organize sounds from a computer (VST, AU and RTAS formats are supported), even from within the user’s DAW or sequencer application. In a first for its class, the X50 features individual outputs, allowing sounds of specific parts to be sent from separate outputs independent of other parts — useful in a variety of recording scenarios.

A modern, stylish body and integrated handles for easy transport complete the Korg X50 package.

The Korg X50 is available April 2006 with a U.S. MSRP TBA.