Jam with your buds from 10,000 miles away

When I moved from Detroit to Cleveland, I was forced to leave a band that I’d been playing with for years. This band had some great guys in it–one of the best bass players and one of the best rock keyboarders I’ve ever played with. But, when real life called, I had to leave it all behind. Unfortunately, this meant leaving them behind as well.

Wouldn’t it be great if we could all be in the same jam room again?

Well, now we can be, even if we’re not there in person. Introducing eJamming, the software that allows you to collaborate with your buddies on real musical compositions. eJamming’s display shows you who’s playing what instrument–so you can form a real-time virtual band with your buddies from miles away!

Check the description from eJamming’s web site:

Just plug any digital instrument – a MIDI-enabled keyboard, a MIDI-enabled guitar or MIDI-enabled bass, MIDI-enabled drums, or a MIDI-enabled wind-controller — into your PC or Mac computer, fire up the eJamming® Station and we’re connecting you over the Internet to a whole world of musicians across town – or across the ocean. In Sync. In Real Time. Or in as close to real time as the laws of physics allow. And now that eJamming Station comes with our own exclusive Sonic Implants Sound Set inside – it’s even easier to create and collaborate together over the Internet!

This is one really cool service. They offer a free trial and support both Macintosh and Windows computers. Check it out!

At long last, here are my Nickel Creek concert photos

Three points to make here:

1. Nickel Creek is a-frikkin-mazing. Sean, Sara, and Chris are true masters of their instruments: six-string, fiddle, and mandolin. I almost can’t imagine what they’ll be turning out in another ten years.
2. If you’ve never seen them live, please do. It’s really a cool experience. I saw them at the Odeon with my wife summer before last. It was really a blast.
3. If you never get the chance, you always come back here and check out my Nickel Creek photos.

What do musicians watch? Music movies!


Well, I do anyway. Though I don’t believe I’ve watched nearly as many as the IMDB has cataloged at their web site. They actually have a list of the top 100 music movies of all time.  Topping the list is The Pianist, which I’ve never seen.  In fact, the only ones in the top ten that I have seen are Almost Famous, Amadeus, and Fantasia–all three really amazing movies. And my wife rented Walk the Line from Netflix, which is about Johnny Cash. Of course, I haven’t had time to watch it yet. We had Ray for a while but I’ve not watched that one yet either. What are your favorite music movies?

16-bit, 32-bit: is there really a hearable difference?

Well, the answer depends on who you ask. Some sound engineers will swear that high frequencies are the dead giveaway when discerning a 16-bit sample from a 32-bit one. But to the casual listener, the difference is less obvious. Of course, with the advent of MP3s, many of which are encoded at low bit rates by hacks who aren’t concerned with sound quality, the already low bar of FM quality has been lowered even further, meaning CDs, mastered with 16-bit depth, sound better than ever, since MP3s downloaded from sharing programs lack quality.

So the question is this–if 16-bit is good enough, why bother with the processing overhead of 32 samples and effects? Well, NewsForge post an excellent primer on sampling depth. The details are posted after the jump.

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The Princeton Laptop Orchestra Debut Concert

The Princeton Laptop Orchestra, or Plork, as they’ve come to be known, is a group of 15 Princetonian students who sit on stage in the auditorium and play music on their instrument of choice–a laptop computer equipped with music programming tools such as Princeton’s own audio language, called Chuck.  The pieces they play range from the mundane to the quizzical.  Of course, if a little Internet exposure isn’t enough, you can experience the Plork live performance for yourself at the university’s Richmond Auditorium on April 4.

High praise for demeter pre-amps

One of the boardmembers over at Gear Slutz decided to do a pre-amp shootout. He recorded the same drum and guitar signals on each of his six pre-amps, and he was blown away by the warmth of his Demeter VTMP-2a pre-amp. Not expecting the result he received, the guy ran his thoughts by the other boardies, and here’s some of the feedback he got:

I just shot out the same Demeter this week and loved it too. Very warm on vocals.

You mean the one with almost NO options except a three step gain knob, phantom power, and a big output fader? Oh yeah, it has a DI, too. These pres were at an old garage studio I used to work in. I recently bought a U87ai and that thing for $1500. Honestly, the Demeter was kind of a throw in. I just love happy accidents! I mean, what are the chances that a tube preamp is going to crush a handful of Class A, discrete, transformer based units on kick and snare?

When I think back….everything Demeter I’ve ever used had an inherit fatness to it. I always just chalked it up to distortion! I recently listened to a record I did in 1993. The lead vocal chain was AT4033>Demeter Tube Mic Pre>Tube Tech EQ. Man, that sounded so *right*. I just finished mixing the best record I’ve made to date. The Bass was played by an incredible player using a beautiful sounding Lakeland Bass—chain: Demeter tube direct box>DBX160VU. Wow!

Rhythm, melody, bass, pad–all you need is a cello

This is a really cool video of a guy who recorded 37 distinct, overdubbed cello parts into a single song, and videotaped himself playing every part. The result is a very cool, highly-progressive-sounding tune that is one hundred percent cello, from hands slapping on the cell body to pizzicato (plucking), chord strumming like a guitar, and bowing. The guy even plays one of the parts below the bridge with a pair of what appear to be sticks. At one point, the guy plays a bowed harmonic–something I’d never even seen before. Anyway, check it out, it’s pretty sweet.

The similarities between light and sound

Gootar has a cool little tutorial that compares the coincidental similiarities between the visible light spectrum and the tones and pitches of music: Anyone delving into music theory knows there are seven notes in a musical scale.

GootarUsing a C major scale and an E major scale as examples we have the patterns noted above. The center section… Root, second, third, fourth, fifth, sixth and seventh are the scale degrees relative to the root note (the root note can be any note). Chords are a combination of three or more notes in a scale. Major chords are comprised of the Root, third and fifth notes of any major scale. Major chords are the basis of all other chord structures.

There are also an abundance of other frequencies (tones/vibrations) in the sound spectrum, but the notes in the scale will repeat themselves the further higher and lower you go up and down in frequency. Notes of the same tone but different pitch are called octaves, for instance, “A-440″ is an abbreviation for the official government standard of musical pitch in the United States. Related to pianos, it means that the strings for the “A” just above “middle C” should vibrate at 440 cycles per second. Higher and lower A’s will vibrate at 880 and 220 respectively. (notice the frequencies are equal divisors of each other… either double or half)

The light waves (electromagnectic spectrum) are also doing this, we just can’t see the higher and lower frequencies because unlike intermittent sounds, we are constantly being bombarded with light, radio and other waves. If we could actually see all of them, it would probably appear as just a big soupy mess… an analogy using sound would be like hitting all of the piano keys at the same time. I guess our brains just picked out a nice section of the electromagnetic field (the scale of light) and made it visible. So, there are seven color frequencies and seven sound frequencies used by our eyes and ears for sight, hearing, art, music, painting, song writing, etc.

Then, Gootar points out the mystery underlying color and sound:

The first, third and fifth colors of the rainbow are Primary colors… red, yellow and blue.
The first, third and fifth notes of a major scale are Major chords… root, third and fifth.

Something quite amazing happens when we tie all of this information together (that’s Physics, Optics, Light, Sight, Sound, Hearing, Art, Music, Neuroscience) and line up the two groups of seven up together…

Primary Colors are Major Chords!